TEREZA KREJČOVÁ
Performer and choreographer in the field of contemporary dance and physical theater.
Studies:
- SEAD Salzburg Experimental Academy of Dance (2022)
- Fontys School of Fine and Performing Arts, Tilburg, NL (six-month Erasmus+ stay, September 2017 – January 2018)
- Duncan Centre Conservatory (2018)
As a dancer, she participated in projects:
- Birds’ Parliament, Theatre of the Forman Brothers (2024)
- Fairy Tales, PocketArt (2024)
- Meeting a Fox, Vendula Tomšů and Johana Pocková (2024) – alternation
- Kallabis Crossover, Kallabis quintet, Kateřina Stupecká, Petr Racek (2024) - music video
- Treatment of Remembering, PocketArt (2021) - alternation
- Rusalka, National Theatre, Jan Kodet (2024)
- I’ll come out of the forest, take my spine out of my back and have it instead of a sword., Pulsar (2023)
- Medusa, tYhle, Marie Gourdain (2020) – alternation
- Dunajna, Roland Géczy (2022)
- Intolleranza 1960, Jan Lauwers, Salzburger Festspiele (2021)
- What Now?, Anna Balslev (2019)
- A Body, Min Tanaka (2017)
- Pulsar, Michal Záhora (2017)
Her original work includes performances:
- S.I.O. Sides of In and Out | Performance in Process (2024) - co-creator
- How to represent a broken heart? (2024) – dance sextet for international team of performers, presented at festivals in Czech Republic (Small Inventory), Austria (PERFORMdANCE), Slovakia (NuDance Fest) and Hungary (O.Z.O.R.A.)
- Called Me Blind (2023) – duet for MoveFest Ostrava, co-creator
In collaboration with music composer Václav Chalupský, she created two solos:
- Uncovered (2018)
- Naturamela (2019)
She is also dedicated to creation within 23 Poems Collective, yoga studies and occasionally to original writing on the edge of genres, which supports her original creation:
- Artist Statement (2022), final work within Choreography Major at SEAD, mentor: Jelka Milic
